Invalidity and deformity in the art of Weimar Republic
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How to Cite

1.
Vlajić A. Invalidity and deformity in the art of Weimar Republic. Vojnosanit Pregl [Internet]. 2014 Mar. 31 [cited 2026 Jul. 12];71(4). Available from: https://asistent.ceon.rs/index.php/vsp/article/view/VSP1404413V

Keywords

world war I
germany
art
disabled persons
DOI: 10.2298/4345

References

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Grosz G. A little yes and a big no: the autobiography of George Grosz. New York: Dial Press; 1946.

Poore C. Disability in Twentieth-Century German Culture. Michigan, USA: University of Michigan Press; 2007.

Kunst E. Katalog Entartete Kunst. München: Ausstel-lungsführer; 1937. (German)

Mitrović A. Engaged and beautiful. Belgrade: Narodna knjiga; 1983. (Serbian)

Shikes RE. The indignant eye: the artist as social critic in prints and drawings from the fifteenth century to Picasso. Boston: Beacon Press; 1969.

Strauss RM, Marzo-Ortega H, Bruckner AA. Did the "Pigeon Chested Man" have Marfan's syndrome. J R Soc Med 2002; 95(2): 104.

Vlajić A. The term "degenerate art", in the culture and ideology of Nazi Germany. Belgrade: Faculty of Philosophy; 2011. (Serbian)